# Ledger integrity

Generated by `scripts/build-sitcom-royalty.mjs`. Every item here is a hole the
graph can see in itself — first the faults, then **what is not yet known**, which
is the research queue rather than a list of mistakes. Do not hand-edit — fix the
ledger.

## Ledger/audit disagreements — 0

A worksheet places a credit on a different show than the ledger does. One of them is wrong; the graph is currently drawn from the ledger.

_None._

## Dangling references — 0

An edge pointing at an ID with no row. These silently vanish from the graph.

_None._

## Cross-field edges — ruled: a record, not a graph

`cross-field-edges.csv` holds **49 verified edges** tracing performers out of the
sitcom field and back — Wendell Pierce from a failed sitcom into *The Wire* and
on into *Elsbeth*, Sarah Jessica Parker into *Sex and the City*, Christine
Baranski holding comedy and prestige drama at once.

This section used to end by asking for a ruling: a fifth layer of its own, or a
documented decision that the table is narrative and not a graph. **The ruling is**
**the second one, and it is now executed.** Admitting these to G₀ would put
prestige drama inside a genealogy of the sitcom, which is not what any of the
four models measure — and the works at the far end carry one edge each, so they
would enter as leaves, moving every normalized score without adding a single
route for anything to travel. That is the worst trade available: the numbers
change and nothing is learned.

So the table is read by `nodeDossiers` and by no graph. A departure is a fact
about a person, so it appears on that person's record on the map, and on the
record of the kingdom they left from. It is no longer invisible, and it is
still not a corridor.

| Person | Route | Type |
|---|---|---|
| Sarah Jessica Parker | Square Pegs → SJP → Sex and the City | Outbound Royal — Premium Television |
| Wendell Pierce | Brian Benben Show → Wendell Pierce → The Wire | Outbound Royal — Prestige Drama |
| Wendell Pierce | The Wire → Wendell Pierce → The Odd Couple | Returning Royal |
| Wendell Pierce | Odd Couple → Wendell Pierce → Elsbeth | Cross-Field Continuation |
| Christine Baranski | Cybill → Christine Baranski → The Good Wife | Dual/Cross-Field Royal |
| Christine Baranski | Big Bang → Christine Baranski → The Good Fight | Dual/Cross-Field Royal |
| Kevin Connolly | Unhappily Ever After → Kevin Connolly → Entourage | Out of field — Comedy-Drama Television |
| Jane Levy | Suburgatory → Jane Levy → Zoey's Extraordinary Playlist | Out of field — Comedy-Drama Television |
| Rex Lee | Suburgatory → Rex Lee → Entourage | Out of field — Comedy-Drama Television |
| Sean Giambrone | The Goldbergs → Sean Giambrone → Solar Opposites | Out of field — Animation |
| Sean Giambrone | The Goldbergs → Sean Giambrone → Clarence | Out of field — Animation |
| Ray Wise | Fresh Off the Boat → Ray Wise → Reaper | Out of field — Comedy-Drama Television |
| Steve Howey | Reba → Steve Howey → Shameless | Out of field — Comedy-Drama Television |
| Rose Abdoo | Hacks → Rose Abdoo → Gilmore Girls | Out of field — Comedy-Drama Television |
| Patricia Richardson | Home Improvement → Patricia Richardson → Strong Medicine | Out of field — Drama Television |
| Fred Willard | The Odd Couple → Fred Willard → Family Guy | Out of field — Animation |
| Bobby Moynihan | Mr. Mayor → Bobby Moynihan → DuckTales | Out of field — Animation |
| Bobby Moynihan | Mr. Mayor → Bobby Moynihan → Nature Cat | Out of field — Animation |
| Bobby Moynihan | Mr. Mayor → Bobby Moynihan → Chozen | Out of field — Animation |
| Ming-Na Wen | Two and a Half Men → Ming-Na Wen → ER | Out of field — Drama Television |
| Ming-Na Wen | Two and a Half Men → Ming-Na Wen → Agents of S.H.I.E.L.D. | Out of field — Drama Television |
| Ming-Na Wen | Two and a Half Men → Ming-Na Wen → Mulan-related voice work | Out of field — Animation |
| Larry Miller | Mad About You → Larry Miller → Monk | Out of field — Comedy-Drama Television |
| Harry Anderson | Night Court → Harry Anderson → Tales from the Crypt | Out of field — Drama Television |
| Mark Linn-Baker | Perfect Strangers → Mark Linn-Baker → The Leftovers | Out of field — Drama Television |
| Stephen Tobolowsky | Silicon Valley → Stephen Tobolowsky → Californication | Out of field — Comedy-Drama Television |
| Stephen Tobolowsky | Silicon Valley → Stephen Tobolowsky → Glee | Out of field — Comedy-Drama Television |
| Cedric Yarbrough | Speechless → Cedric Yarbrough → The Boondocks | Out of field — Animation |
| AJ Michalka | The Goldbergs → AJ Michalka → Steven Universe | Out of field — Animation |
| Richard Kind | Spin City → Richard Kind → Big Mouth | Out of field — Animation |
| Marisa Ryan | Major Dad → Marisa Ryan → Sex and the City | Out of field — Drama Television |
| Christina Applegate | Married… with Children → Christina Applegate → Dead to Me | Out of field — Comedy-Drama Television |
| Bill Smitrovich | Bill Smitrovich → Life Goes On | Out of field — refused as a kingdom |
| Chad Lowe | Chad Lowe → Life Goes On | Out of field — refused as a kingdom |
| Chris Burke | Chris Burke → Life Goes On | Out of field — refused as a kingdom |
| Kellie Martin | Kellie Martin → Life Goes On | Out of field — refused as a kingdom |
| Patti LuPone | Frasier → Patti LuPone → Life Goes On | Out of field — refused as a kingdom |
| Fred Willard | The Odd Couple → Fred Willard → Fernwood 2 Night / America 2-Night | Out of field — refused as a kingdom |
| Martin Starr | Silicon Valley → Martin Starr → Freaks and Geeks | Out of field — refused as a kingdom |
| Kumail Nanjiani | Silicon Valley → Kumail Nanjiani → Portlandia | Out of field — refused as a kingdom |
| Paul W. Downs | Hacks → Paul W. Downs → Time Traveling Bong | Out of field — refused as a kingdom |
| Richard Belzer | Homicide: Life on the Street → John Munch → Arrested Development | Inbound — the character’s origin kingdom |
| Richard Belzer | Arrested Development ← John Munch → Law & Order | Out of field — Drama Television |
| Richard Belzer | Arrested Development ← John Munch → Law & Order: Special Victims Unit | Out of field — Drama Television |
| Richard Belzer | Arrested Development ← John Munch → Law & Order: Trial by Jury | Out of field — Drama Television |
| Richard Belzer | Arrested Development ← John Munch → The X-Files | Out of field — Science-Fiction Drama |
| Richard Belzer | Arrested Development ← John Munch → The Beat | Out of field — Drama Television |
| Richard Belzer | Arrested Development ← Richard Belzer → The Wire | Out of field — Prestige Drama |
| Richard Belzer | Arrested Development ← John Munch → Jimmy Kimmel Live! | Out of field — Talk Show |

**9 external works carry no cross-field edge at all.** Nine of them are
L4 formal precursors and belong to that layer rather than this one. The rest name
a person in their own topology note and were never connected to them:

- `E006` Mad Men — *Joel Murray outbound carrier destination*
- `E007` Star Trek franchise — *Suzy Plakson outbound genre field*
- `E008` Breaking Bad — *Bryan Cranston outbound destination*

## Isolated nodes — 17

Declared but joined to nothing. They still count toward n, deflating every normalized score.

- `P1288` Bill Smitrovich (Person)
- `P1290` Chad Lowe (Person)
- `P1292` Chris Burke (Person)
- `P1295` Dan Ahdoot (Person)
- `P1304` Kellie Martin (Person)
- `P1316` Phill Lewis (Person)
- `P1390` Annie Mumolo (Person) — Named by the phase 6 person audit with 1 verified credit, none yet on a kingdom the corpus holds.
- `P1400` Christine Woods (Person) — Named by the phase 6 person audit with 1 verified credit, none yet on a kingdom the corpus holds.
- `P1411` Hayes MacArthur (Person) — Named by the phase 6 person audit with 1 verified credit, none yet on a kingdom the corpus holds.
- `P1412` Heather Goldenhersh (Person) — Named by the phase 6 person audit with 1 verified credit, none yet on a kingdom the corpus holds.
- `P1415` Jason Ritter (Person) — Named by the phase 6 person audit with 1 verified credit, none yet on a kingdom the corpus holds.
- `P1418` Jon Bernthal (Person) — Named by the phase 6 person audit with 1 verified credit, none yet on a kingdom the corpus holds.
- `P1428` Malin Åkerman (Person) — Named by the phase 6 person audit with 1 verified credit, none yet on a kingdom the corpus holds.
- `P1429` Michaela Watkins (Person) — Named by the phase 6 person audit with 2 verified credits, none yet on a kingdom the corpus holds.
- `P1431` Olivia Munn (Person) — Named by the phase 6 person audit with 1 verified credit, none yet on a kingdom the corpus holds.
- `P1433` Ryan Lee (Person) — Named by the phase 6 person audit with 1 verified credit, none yet on a kingdom the corpus holds.
- `PR020` Bonanza Productions (Production Entity)

## Fragments outside the giant component — 36

Holding 193 of 3492 nodes (5.5% of the graph), sizes 51, 11, 11, 11, 10, 8, 8, 7, 7, 7, 6, 6, 6, 6, 5, 4, 4, 4, 4, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1. Betweenness only flows within a component, so every node out here is invisible to the argument. Each one is a single missing credit, and where an admitted kingdom would supply it the ruling is named beside it — that is data entry outstanding, not research.

- **The Addams Family** — 51 nodes: The Beverly Hillbillies (Show), Green Acres (Show), Petticoat Junction (Show), The Flintstones (Show), Mister Ed (Show), Carolyn Jones (Person), John Astin (Person), Jackie Coogan (Person), Ted Cassidy (Person), Lisa Loring (Person), Ken Weatherwax (Person), Buddy Ebsen (Person), Irene Ryan (Person), Donna Douglas (Person), Max Baer Jr. (Person), Raymond Bailey (Person), Nancy Kulp (Person), Eddie Albert (Person), Eva Gabor (Person), Pat Buttram (Person), Tom Lester (Person), Bea Benaderet (Person), Edgar Buchanan (Person), Linda Kaye Henning (Person), Jeannine Riley (Person), Gunilla Hutton (Person), Meredith MacRae (Person), Alvy Moore (Person), Alan Reed (Person), Jean Vander Pyl (Person), Mel Blanc (Person), Gerry Johnson (Person), Pat Woodell (Person), Frank Cady (Person), Alan Young (Person), Connie Hines (Person), Allan Lane (Person), David Levy (Creator), Paul Henning (Creator), Jay Sommers (Creator), Ralph Levy (Creator), Arthur Hiller (Creator), William Hanna (Creator), Joseph Barbera (Creator), Richard L. Bare (Creator), Walter R. Brooks (character/source) (Creator), Arthur Lubin (TV development) (Creator), Arthur Lubin (Creator), Filmways Television (Production Entity), Hanna-Barbera Productions (Production Entity). **Corridor already ruled:** `CAND009` *The Real McCoys* — The rural comedy that opens the road to Beverly Hillbillies and Green Acres.
- **Leave It to Beaver** — 11 nodes: Jerry Mathers (Person), Barbara Billingsley (Person), Hugh Beaumont (Person), Tony Dow (Person), Joe Connelly (Creator), Bob Mosher (Creator), Jerry Hopper (Creator), Gomalco Productions (Production Entity), Kayro Productions (Production Entity), Revue Studios (Production Entity)
- **What's Happening!!** — 11 nodes: Ernest Thomas (Person), Haywood Nelson (Person), Fred Berry (Person), Danielle Spencer (Person), Mabel King (Person), Shirley Hemphill (Person), Eric Monte (Creator), Eric Monte (based on characters) (Creator), developed by Bernie Orenstein & Saul Turteltaub (Creator), TOY Productions (Production Entity)
- **Hogan’s Heroes** — 11 nodes: Bob Crane (Person), Werner Klemperer (Person), John Banner (Person), Robert Clary (Person), Richard Dawson (Person), Ivan Dixon (Person), Bernard Fein (Creator), Albert S. Ruddy (Creator), Robert Butler (Creator), Bing Crosby Productions (Production Entity). **Corridor already ruled:** `CAND004` *The Phil Silvers Show* — The military ensemble farce; the direct ancestor of Hogan’s Heroes and M*A*S*H’s comic register.
- **Bob’s Burgers** — 10 nodes: H. Jon Benjamin (Person), John Roberts (Person), Dan Mintz (Person), Eugene Mirman (Person), Kristen Schaal (Person), Loren Bouchard (Creator), Wilo Productions (Production Entity), Buck & Millie Productions (Production Entity), 20th Television Animation (Production Entity)
- **Police Squad!** — 8 nodes: Leslie Nielsen (Person), Alan North (Person), Peter Lupus (Person), Ed Williams (Person), Jim Abrahams (Creator), David Zucker (Creator), Jerry Zucker (Creator)
- **The Adventures of Ozzie and Harriet** — 8 nodes: Ozzie Nelson (Person), Harriet Nelson (Person), David Nelson (Person), Ricky Nelson (Person), Ozzie Nelson (Creator), Stage Five Productions (Production Entity), ABC (Production Entity). **Corridor already ruled:** `CAND268` *North Hollywood* — Apatow's 2001 ABC pilot about three aspiring actors sharing an apartment in the Valley — Jason Segel, Amy Poehler and Kevin Hart, with January Jones, and Judge Reinhold as a heightened version of himself. Produced, never aired, not ordered to series. Apatow's account is that the network wanted Happy Days rather than edge. THE CORPUS'S OWN DENOMINATOR RULE ALREADY DECIDES THIS AND HAS NEVER BEEN ASKED TO. 'Produced, not aired' — a performer credited in an episode that never broadcast still did the work, and the kingdom is the body of work. Undeclared is recorded 17 produced against 16 aired on exactly that reasoning. North Hollywood is 1 produced against 0 aired, which is the same rule taken one step further and not a new one. IT IS NOT A BACKDOOR PILOT AND MUST NOT BE FILED AS ONE: X137 and X138 record episodes of a parent series, and this has no parent, which is why it arrives as a candidate kingdom rather than a connection. WHAT IT WOULD OPEN: a direct Segel–Poehler road that no aired sitcom draws, and a second kingdom for Amy Poehler, who holds exactly one credit in this corpus — Leslie Knope — and is ranked Sovereign on it. Kevin Hart, January Jones and Judge Reinhold would enter new. THE COST, STATED PLAINLY: it would be the corpus's first one-episode kingdom, and the population of produced-but-unaired pilots is vast and unknowable from inside a ledger. The bound that keeps it from being a door rather than a row is the corridor rule CAND266 and CAND267 already use — a pilot enters only where it joins performers the corpus already holds. Cast, network and non-pickup established from search reporting, not from a page opened here.
- **Just the Ten of Us** — 7 nodes: Bill Kirchenbauer (Person), Deborah Harmon (Person), Heather Langenkamp (Person), Jamie Luner (Person), Dan Guntzelman (Creator), Steve Marshall (Creator)
- **The Parent 'Hood** — 7 nodes: Robert Townsend (Person), Suzzanne Douglas (Person), Kenny Morrison (Person), Reagan Gomez-Preston (Person), Robert Townsend (Creator), Andrew Borne (Creator)
- **Eve** — 7 nodes: Eve (Person), Jason George (Person), Aliyah (Person), Natalie Desselle-Reid (Person), Brian Hooks (Person), Meg DeLoatch (Creator). **Corridor already ruled:** `CAND006` *Our Miss Brooks* — The workplace sitcom before the workplace sitcom; Eve Arden.
- **The Honeymooners** — 6 nodes: Jackie Gleason (Person), Art Carney (Person), Jackie Gleason (Creator), Frank Satenstein (Creator), Jack Philbin Productions (Production Entity)
- **All-American Girl** — 6 nodes: Margaret Cho (Person), Jodi Long (Person), Clyde Kusatsu (Person), Amy Hill (Person), Gary Jacobs (Creator)
- **The Torkelsons** — 6 nodes: Connie Ray (Person), Olivia Burnette (Person), Lee Norris (Person), William Schallert (Person), Lynn Montgomery (Creator)
- **Poker Face** — 6 nodes: Natasha Lyonne (Person), Rian Johnson (Creator), T-Street (Production Entity), MRC Television (Production Entity), Animal Pictures (Production Entity)
- **Harry and the Hendersons** — 5 nodes: Bruce Davison (Person), Molly Cheek (Person), Zachary Bostrom (Person), Noah Blake (Person)
- **The Critic** — 4 nodes: Jon Lovitz (Person), Al Jean (Creator), Mike Reiss (Creator)
- **Uncle Buck** — 4 nodes: Kevin Meaney (Person), Dah-yee Ahn (Person), Jacob Gelman (Person)
- **Herbie, the Love Bug** — 4 nodes: Dean Jones (Person), Patricia Harty (Person), Claudia Wells (Person)
- **Amanda's** — 4 nodes: Beatrice Arthur (Person), Fred McCarren (Person), Simone Griffeth (Person)
- `P1288` Bill Smitrovich (Person) — declared, joined to nothing
- `P1290` Chad Lowe (Person) — declared, joined to nothing
- `P1292` Chris Burke (Person) — declared, joined to nothing
- `P1295` Dan Ahdoot (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND105` *Super Fun Night* — 6 verified performer edges from the phase 6 person audit point here and cannot be written until the kingdom is: Dan Ahdoot, Kelen Coleman, Kevin Bishop, Lauren Ash, Liza Lapira, Rebel Wilson.
- `P1304` Kellie Martin (Person) — declared, joined to nothing
- `P1316` Phill Lewis (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND110` *Teech* — 3 verified performer edges from the phase 6 person audit point here and cannot be written until the kingdom is: Kathy Kinney, Phill Lewis, Steven Gilborn.
- `P1390` Annie Mumolo (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND220` *About a Boy* — Named by the phase 6 person audit as a corridor: 6 verified performer credits point here and cannot be written while the corpus does not hold the show — Andrea Anders; Minnie Driver; David Walton; Al Madrigal; Annie Mumolo; Benjamin Stockham. Dates, network and run established from search reporting, not from a page opened here.
- `P1400` Christine Woods (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND253` *Perfect Couples* — Named by the phase 6 person audit as a corridor: 6 verified performer credits point here and cannot be written while the corpus does not hold the show — David Walton; Kyle Bornheimer; Olivia Munn; Mary Elizabeth Ellis; Hayes MacArthur; Christine Woods. Dates, network and run established from search reporting, not from a page opened here.
- `P1411` Hayes MacArthur (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND253` *Perfect Couples* — Named by the phase 6 person audit as a corridor: 6 verified performer credits point here and cannot be written while the corpus does not hold the show — David Walton; Kyle Bornheimer; Olivia Munn; Mary Elizabeth Ellis; Hayes MacArthur; Christine Woods. Dates, network and run established from search reporting, not from a page opened here.
- `P1412` Heather Goldenhersh (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND262` *The Class* — Named by the phase 6 person audit as a corridor: 8 verified performer credits point here and cannot be written while the corpus does not hold the show — Andrea Anders; Jesse Tyler Ferguson; Lizzy Caplan; Jason Ritter; Jon Bernthal; Lucy Punch; Sean Maguire; Heather Goldenhersh. Dates, network and run established from search reporting, not from a page opened here.
- `P1415` Jason Ritter (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND262` *The Class* — Named by the phase 6 person audit as a corridor: 8 verified performer credits point here and cannot be written while the corpus does not hold the show — Andrea Anders; Jesse Tyler Ferguson; Lizzy Caplan; Jason Ritter; Jon Bernthal; Lucy Punch; Sean Maguire; Heather Goldenhersh. Dates, network and run established from search reporting, not from a page opened here.
- `P1418` Jon Bernthal (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND262` *The Class* — Named by the phase 6 person audit as a corridor: 8 verified performer credits point here and cannot be written while the corpus does not hold the show — Andrea Anders; Jesse Tyler Ferguson; Lizzy Caplan; Jason Ritter; Jon Bernthal; Lucy Punch; Sean Maguire; Heather Goldenhersh. Dates, network and run established from search reporting, not from a page opened here.
- `P1428` Malin Åkerman (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND264` *Trophy Wife* — Named by the phase 6 person audit as a corridor: 7 verified performer credits point here and cannot be written while the corpus does not hold the show — Albert Tsai; Michaela Watkins; Malin Åkerman; Bradley Whitford; Natalie Morales; Bailee Madison; Ryan Lee. Dates, network and run established from search reporting, not from a page opened here.
- `P1429` Michaela Watkins (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND263` *The Unicorn* — Named by the phase 6 person audit as a corridor: 1 verified performer credit points here and cannot be written while the corpus does not hold the show — Michaela Watkins. Dates, network and run established from search reporting, not from a page opened here.
- `P1431` Olivia Munn (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND253` *Perfect Couples* — Named by the phase 6 person audit as a corridor: 6 verified performer credits point here and cannot be written while the corpus does not hold the show — David Walton; Kyle Bornheimer; Olivia Munn; Mary Elizabeth Ellis; Hayes MacArthur; Christine Woods. Dates, network and run established from search reporting, not from a page opened here.
- `P1433` Ryan Lee (Person) — declared, joined to nothing. **Corridor already ruled:** `CAND264` *Trophy Wife* — Named by the phase 6 person audit as a corridor: 7 verified performer credits point here and cannot be written while the corpus does not hold the show — Albert Tsai; Michaela Watkins; Malin Åkerman; Bradley Whitford; Natalie Morales; Bailee Madison; Ryan Lee. Dates, network and run established from search reporting, not from a page opened here.
- `PR020` Bonanza Productions (Production Entity) — declared, joined to nothing

## Credits with no role weight — 2197

These fall back to guest weight in the role-weighted layer, which flatters them.

- `C335` Jackie Gleason → The Honeymooners
- `C336` Art Carney → The Honeymooners
- `C337` Dick Van Dyke → The Dick Van Dyke Show
- `C338` Carl Reiner → The Dick Van Dyke Show
- `C352` Allison Janney → Mom
- `C353` Anna Faris → Mom
- `C354` Iain Armitage → Young Sheldon
- `C355` Billy Gardell → Bob Hearts Abishola
- `C364` Phylicia Rashad → The Cosby Show
- `C365` Lisa Bonet → The Cosby Show
- `C366` Lisa Bonet → A Different World
- `C367` Jasmine Guy → A Different World
- `C377` Queen Latifah → Living Single
- `C378` Erika Alexander → Living Single
- `C379` Kim Coles → Living Single
- `C380` Kim Fields → Living Single
- `C394` Judith Light → Who's the Boss?
- `C395` Judith Light → Phenom
- `C397` Wayne Knight → Seinfeld
- `C447` Leah Remini → The Exes
- `C517` Hilary Duff → How I Met Your Father
- `C518` Christopher Lowell → How I Met Your Father
- `C519` Francia Raisa → How I Met Your Father
- `C520` Suraj Sharma → How I Met Your Father
- `C521` Tom Ainsley → How I Met Your Father
- `C522` Tien Tran → How I Met Your Father
- `C523` Kim Cattrall → How I Met Your Father
- `C524` Burt Reynolds → Evening Shade
- `C525` Marilu Henner → Evening Shade
- `C526` Michael Jeter → Evening Shade
- `C527` Elizabeth Ashley → Evening Shade
- `C528` Ossie Davis → Evening Shade
- `C529` Charles Durning → Evening Shade
- `C530` Hal Holbrook → Evening Shade
- `C531` Stephanie Hodge → Nurses
- `C532` Arnetia Walker → Nurses
- `C533` Mary Jo Keenen → Nurses
- `C534` Jeff Altman → Nurses
- `C535` Ada Maris → Nurses
- `C536` Kip Gilman → Nurses
- `C537` Carlos Lacámara → Nurses
- `C538` Arica Himmel → mixed-ish
- `C539` Tika Sumpter → mixed-ish
- `C540` Mark-Paul Gosselaar → mixed-ish
- `C541` Gary Cole → mixed-ish
- `C542` Christina Anthony → mixed-ish
- `C543` Mykal-Michelle Harris → mixed-ish
- `C544` Ethan William Childress → mixed-ish
- `C545` Timothy Daly → Wings
- `C546` Steven Weber → Wings
- `C547` Crystal Bernard → Wings
- `C548` David Schramm → Wings
- `C549` Rebecca Schull → Wings
- `C550` Tony Shalhoub → Wings
- `C551` Stephanie Beatriz → Brooklyn Nine-Nine
- `C552` Terry Crews → Brooklyn Nine-Nine
- `C553` Melissa Fumero → Brooklyn Nine-Nine
- `C554` Joe Lo Truglio → Brooklyn Nine-Nine
- `C555` Chelsea Peretti → Brooklyn Nine-Nine
- `C556` Andre Braugher → Brooklyn Nine-Nine
- …and 2137 more

## Structural edges not yet verified — 452

These are edges, not entries: each one joins two nodes and moves betweenness, and unlike an episode count nothing gates it. Recorded at this grade rather than left blank, because a blank cannot be told from nobody having looked. G₀p removes all production and creative edges at once, which is the control for anything that rests on them.

- `PC383` Warner Bros. Television → The Wayans Bros. — Wayans corridor. The series' credited production companies are reported consistently as BabyWay Productions, Next to Last Productions and Warner Bros. Television — BabyWay and Next to Last being the vanity cards of Marlon and Shawn Wayans. Established from search reporting only: no page was opened, so this stands unverified until somebody reads one. The WB was Warner Bros.' own network, which is corroboration and is not itself a production credit.
- `PC384` BabyWay Productions → The Wayans Bros. — Wayans corridor. Marlon Wayans's vanity card. Same evidence and same grade as PC383.
- `PC385` Next to Last Productions → The Wayans Bros. — Wayans corridor. Shawn Wayans's vanity card. Same evidence and same grade as PC383.
- `PC386` Rodney-Young Productions → Father Knows Best — Supplied by the candidate-worksheet wave (R235).
- `PC387` Screen Gems → Father Knows Best — Supplied by the candidate-worksheet wave (R235).
- `PC388` Gomalco Productions → Leave It to Beaver — Supplied by the candidate-worksheet wave (R235).
- `PC389` Kayro Productions → Leave It to Beaver — Supplied by the candidate-worksheet wave (R235).
- `PC390` Revue Studios → Leave It to Beaver — Supplied by the candidate-worksheet wave (R235).
- `PC391` CBS Television → The Phil Silvers Show — Supplied by the candidate-worksheet wave (R235).
- `PC392` Marterto Productions → Make Room for Daddy — Supplied by the candidate-worksheet wave (R235).
- `PC393` Danny Thomas Enterprises → Make Room for Daddy — Supplied by the candidate-worksheet wave (R235).
- `PC394` Desilu Productions → Our Miss Brooks — Supplied by the candidate-worksheet wave (R235).
- `PC395` CBS → Our Miss Brooks — Supplied by the candidate-worksheet wave (R235).
- `PC396` Stage Five Productions → The Adventures of Ozzie and Harriet — Supplied by the candidate-worksheet wave (R235).
- `PC397` ABC → The Adventures of Ozzie and Harriet — Supplied by the candidate-worksheet wave (R235).
- `PC398` CBS Television → Amos 'n' Andy — Supplied by the candidate-worksheet wave (R235).
- `PC399` Marterto Productions → The Real McCoys — Supplied by the candidate-worksheet wave (R235).
- `PC400` Westgate California Productions → The Real McCoys — Supplied by the candidate-worksheet wave (R235).
- `PC401` Desilu Productions → December Bride — Supplied by the candidate-worksheet wave (R235).
- `PC402` CBS → December Bride — Supplied by the candidate-worksheet wave (R235).
- `PC403` Filmways Television → The Beverly Hillbillies — Supplied by the candidate-worksheet wave (R235).
- `PC404` Screen Gems → Bewitched — Supplied by the candidate-worksheet wave (R235).
- `PC405` Ashmont Productions → Bewitched — Supplied by the candidate-worksheet wave (R235).
- `PC406` Talent Associates → Get Smart — Supplied by the candidate-worksheet wave (R235).
- `PC407` NBC → Get Smart — Supplied by the candidate-worksheet wave (R235).
- `PC408` Filmways Television → Green Acres — Supplied by the candidate-worksheet wave (R235).
- `PC409` Bing Crosby Productions → Hogan’s Heroes — Supplied by the candidate-worksheet wave (R235).
- `PC410` Kayro-Vue Productions → The Munsters — Supplied by the candidate-worksheet wave (R235).
- `PC411` Universal Television → The Munsters — Supplied by the candidate-worksheet wave (R235).
- `PC412` Filmways Television → The Addams Family — Supplied by the candidate-worksheet wave (R235).
- `PC413` CBS Productions → Gomer Pyle U.S.M.C. — Supplied by the candidate-worksheet wave (R235).
- `PC414` Don Fedderson Productions → My Three Sons — Supplied by the candidate-worksheet wave (R235).
- `PC415` Daisy Productions → That Girl — Supplied by the candidate-worksheet wave (R235).
- `PC416` Screen Gems → I Dream of Jeannie — Supplied by the candidate-worksheet wave (R235).
- `PC417` Hanna-Barbera Productions → The Flintstones — Supplied by the candidate-worksheet wave (R235).
- `PC418` Universal Television → McHale’s Navy — Supplied by the candidate-worksheet wave (R235).
- `PC419` Filmways Television → Petticoat Junction — Supplied by the candidate-worksheet wave (R235).
- `PC420` Don Fedderson Productions → Family Affair — Supplied by the candidate-worksheet wave (R235).
- `PC421` Todon Productions → The Donna Reed Show — Supplied by the candidate-worksheet wave (R235).
- `PC422` Screen Gems → The Donna Reed Show — Supplied by the candidate-worksheet wave (R235).
- `PC423` Filmways Television → Mister Ed — Supplied by the candidate-worksheet wave (R235).
- `PC424` 20th Century Fox Television → M*A*S*H — Supplied by the candidate-worksheet wave (R235).
- `PC425` T.A.T. Communications Company → The Jeffersons — Supplied by the candidate-worksheet wave (R235).
- `PC426` Embassy Television → The Jeffersons — Supplied by the candidate-worksheet wave (R235).
- `PC427` Tandem Productions → Sanford and Son — Supplied by the candidate-worksheet wave (R235).
- `PC428` Four D Productions → Barney Miller — Supplied by the candidate-worksheet wave (R235).
- `PC429` ABC Circle Films → Barney Miller — Supplied by the candidate-worksheet wave (R235).
- `PC430` MTM Enterprises → The Bob Newhart Show — Supplied by the candidate-worksheet wave (R235).
- `PC431` MTM Enterprises → WKRP in Cincinnati — Supplied by the candidate-worksheet wave (R235).
- `PC432` T.A.T. Communications Company → One Day at a Time — Supplied by the candidate-worksheet wave (R235).
- `PC433` Embassy Television → One Day at a Time — Supplied by the candidate-worksheet wave (R235).
- `PC434` The Komack Company → Welcome Back, Kotter — Supplied by the candidate-worksheet wave (R235).
- `PC435` Warner Bros. Television → Alice — Supplied by the candidate-worksheet wave (R235).
- `PC436` The Komack Company → Chico and the Man — Supplied by the candidate-worksheet wave (R235).
- `PC437` Wolper Productions → Chico and the Man — Supplied by the candidate-worksheet wave (R235).
- `PC438` Paramount Television → The Odd Couple — Supplied by the candidate-worksheet wave (R235).
- `PC439` TOY Productions → What's Happening!! — Supplied by the candidate-worksheet wave (R235).
- `PC440` Tandem Productions → Diff'rent Strokes — Supplied by the candidate-worksheet wave (R235).
- `PC441` Embassy Television → Diff'rent Strokes — Supplied by the candidate-worksheet wave (R235).
- `PC442` Alien Productions → ALF — Supplied by the candidate-worksheet wave (R235).
- …and 392 more

## People not yet verified — 1779

Provisional entries: no source in the ledger names them. Fine to keep, and fine to build the corpus out of — not fine to build an argument on. A person here who is also near the top of the ranking is the uncomfortable case.

- `P001` Lucille Ball — Needs Verification
- `P004` Cloris Leachman — Needs Verification
- `P005` Kelsey Grammer — Needs Verification
- `P006` Jane Leeves — Needs Verification
- `P007` Wendie Malick — Needs Verification
- `P008` Christa Miller — Needs Verification
- `P009` Sarah Chalke — Needs Verification
- `P010` David Spade — Needs Verification
- `P011` Brad Garrett — Needs Verification
- `P012` Ellen DeGeneres — Needs Verification
- `P013` Jason Bateman — Needs Verification
- `P014` Sara Gilbert — Needs Verification
- `P015` Johnny Galecki — Needs Verification
- `P016` Michael J. Fox — Needs Verification
- `P017` Charlie Sheen — Needs Verification
- `P018` Ashton Kutcher — Needs Verification
- `P019` Courteney Cox — Needs Verification
- `P020` Julia Louis-Dreyfus — Needs Verification
- `P021` Melissa Joan Hart — Needs Verification
- `P022` Joey Lawrence — Needs Verification
- `P023` Margo Martindale — Needs Verification
- `P025` Ted Danson — Needs Verification
- `P027` Gillian Jacobs — Needs Verification
- `P029` Joel McHale — Needs Verification
- `P031` Valerie Bertinelli — Needs Verification
- `P032` Emily Rutherfurd — Needs Verification
- `P033` Jim Gaffigan — Needs Verification
- `P034` Will Arnett — Needs Verification
- `P035` Caroline Rhea — Needs Verification
- `P036` Beth Broderick — Needs Verification
- `P037` Mary Tyler Moore — Needs Verification
- `P038` Ed Asner — Needs Verification
- `P039` Valerie Harper — Needs Verification
- `P040` Carroll O'Connor — Needs Verification
- `P041` Jean Stapleton — Needs Verification
- `P042` Sherman Hemsley — Needs Verification
- `P043` Rhea Perlman — Needs Verification
- `P044` Woody Harrelson — Needs Verification
- `P045` Jennifer Aniston — Needs Verification
- `P046` Lisa Kudrow — Needs Verification
- `P049` Jennifer Coolidge — Needs Verification
- `P050` Paula Pell — Needs Verification
- `P051` Lecy Goranson — Needs Verification
- `P057` Jean Smart — Needs Verification
- `P060` Joanna Kerns — Needs Verification
- `P061` Kirk Cameron — Needs Verification
- `P062` Tracey Gold — Needs Verification
- `P064` Jenny Lewis — Needs Verification
- `P065` Megan Mullally — Needs Verification
- `P066` Debra Messing — Needs Verification
- `P067` Thomas Haden Church — Needs Verification
- `P068` Paul Reiser — Needs Verification
- `P069` Greg Evigan — Needs Verification
- `P070` Will Sasso — Needs Verification
- `P071` Elisha Cuthbert — Needs Verification
- `P072` Nick Zano — Needs Verification
- `P073` Damon Wayans Jr. — Needs Verification
- `P074` Max Greenfield — Needs Verification
- `P075` Cedric the Entertainer — Needs Verification
- `P077` Seth Rogen — Needs Verification
- …and 1719 more

## Top-20 figures whose role bands are unsourced — 19

Their weight rests on a four-value word — Lead / Regular / Recurring / Guest — where an episode count could stand instead. Regular vs Recurring doubles a credit's strength, so at the top of the ranking this is the difference between one sovereign and another.

- Blake Clark — 11/14 credits carry an episode count
- Betty White — 8/10 credits carry an episode count
- Richard Riehle — 0/6 credits carry an episode count
- Hank Azaria — 5/7 credits carry an episode count
- Andy Dick — 4/5 credits carry an episode count
- Scott Baio — 0/6 credits carry an episode count
- Wendi McLendon-Covey — 1/6 credits carry an episode count
- Cloris Leachman — 6/7 credits carry an episode count
- Seth Green — 0/6 credits carry an episode count
- Chris Elliott — 2/5 credits carry an episode count
- Allan Melvin — 1/2 credits carry an episode count
- Christina Applegate — 1/6 credits carry an episode count
- Neil Flynn — 0/8 credits carry an episode count
- Gale Gordon — 1/3 credits carry an episode count
- Donald Glover — 1/2 credits carry an episode count
- Elinor Donahue — 1/3 credits carry an episode count
- Judd Hirsch — 2/6 credits carry an episode count
- William Frawley — 0/2 credits carry an episode count
- Julia Louis-Dreyfus — 4/6 credits carry an episode count

## Connections not yet assigned to a layer — 0 types, 0 rows

Each connection belongs to one of three genealogies — performer circulation,
creative authorship, diegetic continuity — and the layer is derived from its
`Type` through `connection-types.csv`. A type absent from that vocabulary has
no layer, so its rows are invisible to every per-layer reading. See LAYERS.md.

Assigned so far: performer 86 · diegetic 41 · creative 14.

_None._

## Creator-performers — 16 declared, 73 unresolved

The same human can hold a Person node in the performer genealogy and a Creator
node in the creative one. `creators.csv` carries an explicit `Person ID` saying
so. The link is recorded and never merged: fusing the nodes would move G₀, and
the performer result does not move.

An unresolved row is one whose name matches a person with no declaration made.
That is a candidate for a human to confirm, not a fact — names collide, and a
silent merge is worse than a visible split.

**Declared:**

- `CR008` ↔ `P284` Larry David
- `CR011` ↔ `P178` Carl Reiner
- `CR014` ↔ `P195` Mindy Kaling
- `CR017` ↔ `P207` Martin Lawrence
- `CR021` ↔ `P215` Marlon Wayans
- `CR049` ↔ `P047` Matthew Perry
- `CR062` ↔ `P012` Ellen DeGeneres
- `CR070` ↔ `P162` Bill Engvall
- `CR074` ↔ `P111` Drew Carey
- `CR089` ↔ `P171` Fran Drescher
- `CR110` ↔ `P068` Paul Reiser
- `CR113` ↔ `P234` Brian Benben
- `CR132` ↔ `P028` Paul Rust
- `CR142` ↔ `P175` Jackie Gleason
- `CR143` ↔ `P217` Jamie Foxx
- `CR196` ↔ `P033` Jim Gaffigan

**Adjudicated collisions — 1:**

A name shared with a person in the ledger, checked and found to be somebody
else. Recorded so the question stays answered.

- `CR095` Christopher Lloyd — not `P254` of the same name

**Unresolved — 73:**

- `CR009` Tina Fey — matches a person, undeclared
- `CR082` Bill Cosby — matches a person, undeclared
- `CR140` Mark Linn-Baker — matches a person, undeclared
- `CR178` Bonnie Hunt — matches a person, undeclared
- `CR202` Danny McBride — matches a person, undeclared
- `CR262` Ted Wass — matches a person, undeclared
- `CR282` James Widdoes — matches a person, undeclared
- `CR296` Phill Lewis — matches a person, undeclared
- `CR309` Paul Fusco — matches a person, undeclared
- `CR322` Chris Elliott — matches a person, undeclared
- `CR340` Sinbad — matches a person, undeclared
- `CR357` Robert Townsend — matches a person, undeclared
- `CR360` Damon Wayans — matches a person, undeclared
- `CR361` George Lopez — matches a person, undeclared
- `CR363` Chris Rock — matches a person, undeclared
- `CR371` Quinta Brunson — matches a person, undeclared
- `CR384` Ozzie Nelson — matches a person, undeclared
- `CR389` Lorenzo Music — matches a person, undeclared
- `CR390` Rob McElhenney — matches a person, undeclared
- `CR391` Eugene Levy — matches a person, undeclared
- `CR392` Daniel Levy — matches a person, undeclared
- `CR398` Keenen Ivory Wayans — matches a person, undeclared
- `CR415` Will Smith — matches a person, undeclared
- `CR421` Mike Judge — matches a person, undeclared
- `CR425` Donald Glover — matches a person, undeclared
- `CR426` Bill Hader — matches a person, undeclared
- `CR428` Ilana Glazer — matches a person, undeclared
- `CR429` Abbi Jacobson — matches a person, undeclared
- `CR436` Paul W. Downs — matches a person, undeclared
- `CR450` Al Lewis — matches a person, undeclared
- `CR488` Gabe Kaplan — matches a person, undeclared
- `CR506` Garry Shandling — matches a person, undeclared
- `CR519` Dan Levy — matches a person, undeclared
- `CR526` Louis C.K. — matches a person, undeclared
- `CR527` Lena Dunham — matches a person, undeclared
- `CR528` Issa Rae — matches a person, undeclared
- `CR533` Jason Sudeikis — matches a person, undeclared
- `CR538` Steve Martin — matches a person, undeclared
- `CR546` Lennon Parham — matches a person, undeclared
- `CR547` Jessica St. Clair — matches a person, undeclared
- `CR549` Rebel Wilson — matches a person, undeclared
- `CR553` Fred Savage — matches a person, undeclared
- `CR561` Robert Ben Garant — matches a person, undeclared
- `CR562` Thomas Lennon — matches a person, undeclared
- `CR563` Kerri Kenney-Silver — matches a person, undeclared
- `CR573` Lake Bell — matches a person, undeclared
- `CR593` Dan Milano — matches a person, undeclared
- `CR627` Andy Daly — matches a person, undeclared
- `CR635` Steve Carell — matches a person, undeclared
- `CR643` Charlie Day — matches a person, undeclared
- `CR655` Norm Macdonald — matches a person, undeclared
- `CR663` Whitney Cummings — matches a person, undeclared
- `CR665` Blake Anderson — matches a person, undeclared
- `CR666` Adam DeVine — matches a person, undeclared
- `CR667` Anders Holm — matches a person, undeclared
- `CR668` Kyle Newacheck — matches a person, undeclared
- `CR680` Michaela Watkins — matches a person, undeclared
- `CR697` Ken Jeong — matches a person, undeclared
- `CR713` John Ratzenberger — matches a person, undeclared
- `CR791` Alan Alda — matches a person, undeclared
- `CR808` Mike Evans — matches a person, undeclared
- `CR813` Beverly Archer — matches a person, undeclared
- `CR863` Glenn Howerton — matches a person, undeclared
- `CR880` Matt Berry — matches a person, undeclared
- `CR913` Pamela Adlon — matches a person, undeclared
- `CR921` Natasha Rothwell — matches a person, undeclared
- `CR930` Brett Goldstein — matches a person, undeclared
- `CR943` Rene Gube — matches a person, undeclared
- `CR947` Bridget Everett — matches a person, undeclared
- `CR978` Jermaine Fowler — matches a person, undeclared
- `CR1012` Maria Bamford — matches a person, undeclared
- `CR1073` Dwayne Johnson — matches a person, undeclared
- `CR1115` Rodney Carrington — matches a person, undeclared

## Are the counts observed, or computed? — 293 distinct ratios across 983 counted credits

A participation ratio is a credit's episodes over its series total. Researched
counts scatter; counts derived from the denominator collapse onto a handful of
values, because that is what a formula does. This line is the detector: if the
ratio count stops growing with the credit count, a wave was computed rather than
read. It cannot be seen one row at a time — a lead who really did appear in every
episode is ordinary — so it is watched here.

- distinct ratios per counted credit: 0.30 (1.00 would be all different; a formula drives this toward zero)
- credits recorded as the whole series: 610 of 983 (62.1%)
- range: 0.001 to 1.000

## L4 — the formal layer · NOT QUOTABLE

Which shows share a *form* — a device that travelled, not a device two shows
happen to use. This is the first layer with no external source of truth: every
other layer rests on a credit, and a device is **assigned**. A densely assigned
graph measures the assigner rather than the corpus, so four rules were written
before a single edge existed and the layer reports itself against them.

- **Frozen vocabulary** — 12 devices, closed before assignment. Each carries a "Not This" clause, because a device becomes a genre by quietly widening.
- **Density ceiling** — 0 device(s) over ceiling and suppressed as categories.
- **Evidence ladder** — 8 edge(s) from transmission or stated influence; 0 row(s) recorded and inert; 7 retired.
- **Ablation (rule 4, on by default)** — drop *Direct audience address*, which touches 6 works, and the layer goes from 8 edge(s) to 6. It survives.

**This layer is not quotable and is excluded from Phase X.** Two conditions
gate it and they fail independently, so the report says which:

- ablation — **passes.** Dropping the heaviest device leaves the layer standing, so its shape is not one device's artifact.
- size — **fails.** 8 edges against a floor of 12. Betweenness over a graph this small measures the few pairs somebody happened to find.

A hand-assigned layer earns a reading by surviving the loss of its heaviest
device AND by being large enough that no single pair carries it. Passing one is
not passing.

**Retired** — somebody went looking and there is no such statement. These are
not waiting for research; the absence *is* the finding, and recording it is what
stops the same resemblance being re-proposed by the next person who notices it.

- `FE002` Metatelevision: It's Garry Shandling's Show → Love & War
- `FE003` Direct audience address: Love & War → Hearts Afire
- `FE008` Bottle episode: All in the Family → Seinfeld
- `FE009` Musical episode: The Dick Van Dyke Show → Buffy the Vampire Slayer
- `FE011` Freeze-frame aside: Parker Lewis Can't Lose → Malcolm in the Middle
- `FE014` Single camera without laugh track: The Monkees → Malcolm in the Middle
- `FE015` Clip show: The Dick Van Dyke Show → The Simpsons

## Phase X — the same names in three genealogies

The question this architecture exists to ask: **do the same names become**
**central in all three maps?** Three layers, three node sets, three answers.

Ranks are **within layer and within kind** — a normalized betweenness score
divides by the layer's own node count, so scores are not comparable across
layers even in principle, and a show's placing does not mean what a person's
placing means. **An em dash is "not applicable", never a low rank**: a person
absent from the diegetic layer is not ranked last there, they are not in it.

For the same reason, **ordering and disagreement are computed on the**
**percentile** — the placing as a fraction of the field it was measured
against. L3 places eight people where L1 places 295, and first of eight is
not a better showing than first of 295, it is a smaller room. The gap column
is in percentile points.

- **L1 performer** — who circulated. 2384 nodes, 2734 edges. Closed.
- **L2 creative** — who built it. 1579 nodes, 2007 edges. Closed.
- **L3 diegetic** — whose fiction continued. 54 nodes, 36 edges. Closed.

**Pilot-direction coverage: 419 of 502 kingdoms.** Creator closure is complete; this one is not, so a placing that rests on pilot direction is provisional in proportion to the gap.

### The twelve highest-placed humans, by best percentile in any layer

| | L1 performer | L2 creative | L3 diegetic | widest gap |
|---|---:|---:|---:|---:|
| Charlie Sheen | #59 of 1882 | — | #1 of 8 | 3 pts |
| Blake Clark | #1 of 1882 | — | — | one layer only |
| Neil Flynn | #2 of 1882 | — | — | one layer only |
| Betty White | #3 of 1882 | — | — | one layer only |
| Jenny Lewis | #4 of 1882 | — | — | one layer only |
| Martin Mull | #5 of 1882 | — | — | one layer only |
| Valerie Harper | #6 of 1882 | — | — | one layer only |
| Seth Green | #7 of 1882 | — | — | one layer only |
| Kelsey Grammer | #8 of 1882 | — | — | one layer only |
| Bea Arthur | #9 of 1882 | — | — | one layer only |
| Cloris Leachman | #10 of 1882 | — | — | one layer only |
| Richard Kind | #11 of 1882 | — | — | one layer only |

### The humans whose layers disagree most

| | L1 performer | L2 creative | L3 diegetic | widest gap |
|---|---:|---:|---:|---:|
| Tracee Ellis Ross | #208 of 1882 | — | #8 of 8 | 89 pts |
| Larry David | #1322 of 1882 | #33 of 732 | — | 66 pts |
| Halle Berry | #544 of 1882 | — | #6 of 8 | 43 pts |
| Martin Lawrence | #1283 of 1882 | #210 of 732 | — | 40 pts |
| Marlon Wayans | #1287 of 1882 | #214 of 732 | — | 39 pts |
| Lecy Goranson | #340 of 1882 | — | #5 of 8 | 39 pts |
| Ashton Kutcher | #82 of 1882 | — | #4 of 8 | 39 pts |
| Carl Reiner | #1154 of 1882 | #206 of 732 | — | 33 pts |

### The twelve highest-placed kingdoms, by best percentile in any layer

| | L1 performer | L2 creative | L3 diegetic | widest gap |
|---|---:|---:|---:|---:|
| Cheers | #26 of 502 | #40 of 488 | #1 of 46 | 8 pts |
| Community | #1 of 502 | #9 of 488 | #23 of 46 | 49 pts |
| Married… with Children | #94 of 502 | #1 of 488 | #30 of 46 | 64 pts |
| The Goldbergs | #2 of 502 | #482 of 488 | — | 99 pts |
| Ted Lasso | #243 of 502 | #2 of 488 | — | 48 pts |
| Seinfeld | #3 of 502 | #75 of 488 | #22 of 46 | 46 pts |
| Instant Mom | #79 of 502 | #3 of 488 | — | 15 pts |
| Two and a Half Men | #4 of 502 | #351 of 488 | — | 71 pts |
| Caroline in the City | #199 of 502 | #4 of 488 | — | 39 pts |
| That '70s Show | #5 of 502 | #344 of 488 | #20 of 46 | 70 pts |
| Anger Management | #261 of 502 | #5 of 488 | — | 51 pts |
| Arrested Development | #6 of 502 | #392 of 488 | — | 79 pts |

### Do the layers agree?

Spearman's rho over the subjects a pair of layers both place. 1 would mean
the two genealogies rank identically; 0 means knowing a placing in one tells
you nothing about the other.

- **L1 against L2** — 504 subjects in both. rho 0.217.
- **L1 against L3** — 54 subjects in both. rho 0.144.
- **L2 against L3** — 46 subjects in both. rho 0.113.

**Reach across layers.** 1872 appear only in L1, 0 appear only in L2, 0 appear only in L3. 46 subjects are placed in all three.

## What is not yet known — 6340 open facts

Every line is a fact that exists in the world and is not in the ledger yet.
**Unknown stays unknown** governs what may be *computed* — no value is ever
inferred to fill one of these. It is not a reason to leave one unresearched.
A blank with nothing scheduled against it is not discipline, it is absence.

Ordered by what a row of work unblocks, not by how many rows there are.

| Fact | Missing | Blocks | Judgement needed |
|---|---:|---|---|
| `shows.csv` · Total Episodes | 66/502 (13.1%) | every G₂ saturation figure | none — one sourced number |
| `credits.csv` · Episode Count | 1742/2734 (63.7%) | G₁ and G₂, and the coverage gate | none — sourced, via a worksheet |
| `credits.csv` · Billing Class | 96/2734 (3.5%) | telling a Regular from opening-title cast | none — a credit-sequence fact |
| `credits.csv` · Seasons Present | 1685/2734 (61.6%) | temporal persistence | none |
| shows with no creator credit | 14/502 (2.8%) | the creative genealogy entirely | none to attach; House orbit is editorial |
| shows with no production credit | 93/502 (18.5%) | the production genealogy entirely | none to attach; House orbit is editorial |
| `people.csv` · Acquired Via | 262/1898 (13.8%) | which specific sweep or filmography produced this row | yes — and unreconstructable later |
| `people.csv` · Formal House | 1766/1898 (93.0%) | House membership as a queryable fact | yes — editorial by design |
| `shows.csv` · Role in Network | 421/502 (83.9%) | the topology taxonomy | yes — editorial by design |
| shows not yet reviewed for diegetic links | 112/502 (22.3%) | L3, and Phase X behind it | none — a sweep, and "none" is an answer |
| shows with no pilot-director credit | 83/502 (16.5%) | ignition — who set the camera language a kingdom then repeated | none — one name per kingdom |

**The series total, the pilot director and the diegetic review are one sheet** —
`kingdom-worksheet.csv`, 128 kingdoms.
68 are open on more than one of the three and 65 on all three; that overlap is the figure that matters, because a kingdom open on two or three is one page read that closes them together.
A row leaves the sheet only when all three are answered, and it ships the value for any
of the three already held, so nobody looks up a fact the ledger has.

**Closed.** These were on the list and are not any more. A closure is a
finding here, not an absence: LAYERS.md section 3 defines a layer as complete
exactly when one of these reaches zero.

- `people.csv` · Acquisition — 0/1898 outstanding
- `shows.csv` · Acquisition — 0/502 outstanding
- L4 claims refused and awaiting a citation — 0/15 outstanding

## Capture — two careers the graph cannot tell apart

Betweenness rewards a person for connecting kingdoms and says nothing about
the *shape* of the career that did the connecting. Two shapes score the same
and mean opposite things.

An **itinerant** moves through many kingdoms in small parts and belongs to none.
A **captured** performer circulates the same way until one role takes them —
after which every later appearance carries that role with it, and the person
stops being a working actor you half-recognise and becomes a character who has
wandered in from somewhere else.

The index is the share of a person's counted episodes held by their largest
single credit, over the 122 people with at least three credits and a
counted episode among them.

### Captured — one role owns the career

| | Index | Shows | Episodes | Largest credit |
|---|---:|---:|---:|---|
| Valerie Bertinelli | 100% | 3 | 128 | Hot in Cleveland (2010), 128 ep |
| Sherman Hemsley | 100% | 3 | 15 | All in the Family (1971), 15 ep |
| Jean Smart | 100% | 5 | 120 | Designing Women (1986), 120 ep |
| Meshach Taylor | 100% | 4 | 152 | Designing Women (1986), 152 ep |
| Nat Faxon | 100% | 3 | 16 | Ben and Kate (2012), 16 ep |
| Parker Young | 100% | 3 | 13 | Enlisted (2014), 13 ep |
| Fred Willard | 100% | 6 | 2 | The Odd Couple (2015), 2 ep |
| Christina Applegate | 100% | 6 | 258 | Married… with Children (1987), 258 ep |

### Itinerant — no role owns them

| | Index | Shows | Episodes | Largest credit |
|---|---:|---:|---:|---|
| Skyler Gisondo | 33% | 3 | 90 | The Bill Engvall Show (2007), 30 ep |
| Joey Lawrence | 34% | 4 | 335 | Blossom (1990), 114 ep |
| Wendie Malick | 36% | 8 | 406 | Just Shoot Me! (1997), 148 ep |
| Lucille Ball | 37% | 4 | 494 | I Love Lucy (1951), 181 ep |
| Joel Murray | 40% | 5 | 301 | Dharma & Greg (1997), 119 ep |
| Richard Belzer | 40% | 3 | 5 | Arrested Development (2003), 2 ep |
| Blake Clark | 41% | 14 | 54 | Home Improvement (1991), 22 ep |
| Betty White | 41% | 10 | 438 | The Golden Girls (1985), 180 ep |

**Valerie Bertinelli is the cleanest specimen in the corpus** at 100% — 128 episodes of Hot in Cleveland against 0 everywhere else.

**And Blake Clark is the opposite at 41%**, across 14 kingdoms with a largest credit of 22 episodes — while being **first in G₀**.
The same graph position, the opposite career. That is the whole reason to
measure this separately: centrality cannot see the difference, and a reader
looking at the map assumes the person at the top is a star.

**THE MEASURE IS REAL AND THE POPULATION IS NOT YET.** The pre-capture phase of
a captured career is guest work, and the cast sweep asked for main casts —
a standing rule, and the right one for building ensembles. The consequence is
that a capture index is computed over the part of a career the ledger happens
to hold, which is the captured part. Debra Jo Rupp guested through at least
eight kingdoms this corpus already holds — Newhart, Grand, Empty Nest, Blossom,
Phenom, Hearts Afire, Friends, Seinfeld — and carries a credit on **none** of
them. Her index is 97% partly because the other 3% was never entered.

Fixing that is not "import exhaustive guest casts", which this project has
refused from the start. It is a **person-first** sweep — trace one named
performer across the roster and record where they actually turn up — and it is
the first sweep here that would run down a career rather than across a cast.

## Reliability — the dispute queue is closed

**46 recorded disputes, 0 open.** A dispute is two *sourced*
readings of one figure that disagree. They are written down as disputes rather
than silently resolved, because a contested number that is not marked contested
is indistinguishable from a settled one.

The cast-completion waves supplied **542 of 2734 credits** (20%) and **502 of 1898 people** (26%). Each wave also re-supplied
credits the ledger already held, which was never designed as a test and is the
best one available: **158 overlapping rows, 36 disagreements — roughly one in four.**

**The disagreement runs both ways, and that is the finding.** On The Great Indoors
the ledger records 11 episodes against the wave's 22; on Grand, 13 against 26.
Both ledger figures are exactly half, which is a season total filed as a series
total, and in both the *older* figure is the wrong one. Several pre-wave figures
were also marked `sourced` on searches whose pages were never opened — R059
recorded 43 of them. So this measures how far either source can be trusted to a
single episode, not which one lies.

**Some resolutions were calculated, not read, and are marked so.** Eight closed
disputes resolved to a figure exactly equal to the show's series total — "the
show has 30 episodes and she was a lead, therefore 30". That may well be true
and it is still not a reading, so those credits carry `calculated` rather than
`sourced`, and **the coverage gate does not count them**. A corpus that can
raise its own coverage by inference has no gate at all.

**The disputes are the instrument that follows from it.** Where two readings
disagree the ledger keeps both and marks the figure contested, so a reader can
see the width of the uncertainty on the row it belongs to rather than inferring
it from a whole-corpus control. The provenance columns say which body of work
supplied each credit; `disputes.csv` says where two of them disagree.

## L1 depth — how much of each cast the ledger actually holds

Median performers per kingdom: **5**. 31 of 502 kingdoms hold one or none.
1394 of 1898 people (73%) have exactly one credit.

**This is a different question from coverage, and closing coverage did nothing
for it.** Coverage asks how many of the credits we hold carry an episode count;
that is closed. Depth asks how many of the people who were in these shows we
hold at all — and the answer is that most ensembles are represented by one or
two names.

The shape is a **performer crawl**: follow one filmography and every show it
touches enters carrying only the cast member who linked it in. The corroboration
is what is present — several single-season flops are held in full while whole
foundational kingdoms are absent, which no significance criterion produces.

**Why it is urgent rather than merely incomplete.** Betweenness rewards the
person who appears in many kingdoms in small parts, which is exactly the kind of
person a filmography crawl selects for. Until the ensembles are filled, the
presence model may be reporting the acquisition method rather than the industry.
G₀c cannot detect this: it drops hand-assigned edges, and this bias is in what
was collected, not in how it is weighted. `shows.csv · Acquisition` is the field
that would settle it —
and it no longer has a blank in it. That is not the same as an answer. 188 of 502
kingdoms carry `unknown-provenance` — entered before the column existed, their acquisition
never written down and not now recoverable — and 314 record how they actually
arrived. So the question is answerable going forward and closed off behind us: the part of
the corpus a crawl built cannot be separated from the part chosen, and every row admitted
from here has to carry its provenance at entry or the same gap reopens.

### The hollowest kingdoms — most established elsewhere, fewest performers held

| Kingdom | Performers held | Creative/production/diegetic edges |
|---|---:|---:|
| Off Centre (2001) | 1 | 11 |
| Soul Man (1997) | 1 | 10 |
| Worst Week (2008) | 1 | 10 |
| Trophy Wife (2013) | 1 | 10 |
| Poker Face (2023) | 1 | 10 |
| The Class (2006) | 1 | 9 |
| The Unicorn (2019) | 1 | 9 |
| My Mother the Car (1965) | 1 | 8 |
| Working Stiffs (1979) | 1 | 8 |
| So Little Time (2001) | 1 | 8 |
| Rodney (2004) | 1 | 8 |
| Louie (2010) | 1 | 8 |
| Perfect Couples (2010) | 1 | 8 |
| Sons of Tucson (2010) | 1 | 8 |
| Perfect Harmony (2019) | 1 | 8 |

Worksheet: `l1-cast-worksheet.csv` — 1350 slots across 502 kingdoms.

## Corpus extension — 1 candidates awaiting a ruling

`candidates.csv` holds 267 proposed kingdoms: 1 awaiting a ruling, **246 admitted**, 20 refused.

The list is hand-authored and cannot be otherwise — nothing in a ledger knows
what is missing from it. Admitting a show is an editorial act, so each row
carries a ruling the editor writes, and only admitted rows reach a worksheet.
The standing rule holds: the corpus expands because a sitcom belongs in the
genealogy, never because it would improve a statistic.

**241 of the 246 admitted kingdoms are now in the corpus.** The ruling has been acted on rather than merely recorded, so their cost is
no longer a projection — it is in the depth figures above. Nothing subtracts
them again: the provenance ablations were retired by editorial ruling, and
the editor's research enters as researched data.

**2 admitted kingdoms are not in the corpus yet.** Each still needs a Show ID,
an author, an episode total and a cast sweep before it is a kingdom rather
than a permission. How much each arrives with varies, and its own row says
why it was admitted — several were ruled in because verified credits are
already waiting on them.

Entering all of them takes the median cast per kingdom from 5 toward 5.0.
That is a description, not a warning: the median measures how completely the
corpus records the kingdoms it holds, and admitting more of them makes it
report its own incompleteness more accurately. Filling the open cast slots
is what moves it back, and that work is the same work either way.

Corpus would go **502 → 504** kingdoms.

| Era | Proposed |
|---|---:|
| 2000s | 1 |

**Title already in the corpus — look before admitting:** `CAND002` Father Knows Best, `CAND003` Leave It to Beaver, `CAND004` The Phil Silvers Show, `CAND005` Make Room for Daddy, `CAND006` Our Miss Brooks, `CAND007` The Adventures of Ozzie and Harriet, `CAND008` Amos ’n’ Andy, `CAND009` The Real McCoys, `CAND010` December Bride, `CAND011` The Beverly Hillbillies, `CAND012` Bewitched, `CAND013` Get Smart, `CAND014` Green Acres, `CAND015` Hogan’s Heroes, `CAND016` The Munsters, `CAND017` The Addams Family, `CAND018` Gomer Pyle U.S.M.C., `CAND019` My Three Sons, `CAND020` That Girl, `CAND021` I Dream of Jeannie, `CAND022` The Flintstones, `CAND023` McHale’s Navy, `CAND024` Petticoat Junction, `CAND026` Family Affair, `CAND027` The Donna Reed Show, `CAND028` Mister Ed, `CAND029` M*A*S*H, `CAND030` The Jeffersons, `CAND031` Sanford and Son, `CAND032` Barney Miller, `CAND033` The Bob Newhart Show, `CAND034` WKRP in Cincinnati, `CAND036` Welcome Back, Kotter, `CAND037` Alice, `CAND038` Chico and the Man, `CAND040` What’s Happening!!, `CAND041` Diff’rent Strokes, `CAND042` ALF, `CAND043` Perfect Strangers, `CAND044` Kate & Allie, `CAND045` Coach, `CAND046` 227, `CAND047` Amen, `CAND048` Bosom Buddies, `CAND049` Head of the Class, `CAND050` Charles in Charge, `CAND051` Punky Brewster, `CAND052` Webster, `CAND053` Dear John, `CAND054` The Wonder Years, `CAND055` Family Matters, `CAND056` The Larry Sanders Show, `CAND057` King of the Hill, `CAND058` Step by Step, `CAND059` Sister, Sister, `CAND060` Moesha, `CAND061` Dinosaurs, `CAND062` Roc, `CAND063` Hangin’ with Mr. Cooper, `CAND064` Veronica’s Closet, `CAND065` Cosby, `CAND066` It’s Always Sunny in Philadelphia, `CAND067` My Name Is Earl, `CAND068` George Lopez, `CAND069` My Wife and Kids, `CAND070` Everybody Hates Chris, `CAND071` Reba, `CAND072` According to Jim, `CAND074` Veep, `CAND075` Silicon Valley, `CAND076` Bob’s Burgers, `CAND077` Schitt’s Creek, `CAND078` Fresh Off the Boat, `CAND079` The Mindy Project, `CAND080` Unbreakable Kimmy Schmidt, `CAND081` Atlanta, `CAND082` BoJack Horseman, `CAND083` Louie, `CAND084` Girls, `CAND085` Broad City, `CAND086` Insecure, `CAND087` Barry, `CAND089` Abbott Elementary, `CAND090` Ted Lasso, `CAND091` What We Do in the Shadows, `CAND092` Hacks, `CAND093` Ghosts, `CAND094` Only Murders in the Building, `CAND095` The Bear, `CAND096` Reservation Dogs, `CAND097` Somebody Somewhere, `CAND098` Poker Face, `CAND099` Life in Pieces, `CAND101` The Middle, `CAND102` Undateable, `CAND103` Buffalo Bill, `CAND104` Playing House, `CAND105` Super Fun Night, `CAND107` Four Kings, `CAND108` Anything but Love, `CAND109` Schooled, `CAND110` Teech, `CAND111` B Positive, `CAND112` Back to You, `CAND113` Best Friends Forever, `CAND114` Better with You, `CAND115` Daddy Dearest, `CAND117` Friends from College, `CAND118` Not Dead Yet, `CAND119` One Day at a Time (2017), `CAND120` People of Earth, `CAND121` Reno 911!, `CAND122` Superior Donuts, `CAND123` 10 Things I Hate About You, `CAND124` A Minute with Stan Hooper, `CAND125` Abby's, `CAND126` American Auto, `CAND127` Animal Practice, `CAND128` Avenue 5, `CAND129` Baby Daddy, `CAND131` Bless This Mess, `CAND132` Blockbuster, `CAND133` Breaking In, `CAND134` Bridget Loves Bernie, `CAND135` Call Me Kat, `CAND136` Carol's Second Act, `CAND139` Committed, `CAND140` Crumbs, `CAND141` Drexell's Class, `CAND145` FM, `CAND148` Glory Daze, `CAND149` Good Luck Charlie, `CAND150` Great News, `CAND151` Great Scott!, `CAND152` Greg the Bunny, `CAND153` Grosse Pointe, `CAND154` Ground Floor, `CAND155` Happy's Place, `CAND156` Henry Danger, `CAND157` High Society, `CAND158` iCarly, `CAND159` Lady Dynamite, `CAND160` Loot, `CAND161` Lovespring International, `CAND162` Madman of the People, `CAND163` Marry Me, `CAND164` Maybe It's Me, `CAND165` Me, Myself & I, `CAND166` Meego, `CAND167` Men Behaving Badly, `CAND168` Merry Happy Whatever, `CAND169` Mike & Molly, `CAND171` Ned's Declassified School Survival Guide, `CAND172` Nikki, `CAND174` Powerless, `CAND176` Red Oaks, `CAND177` Review, `CAND178` Room for Two, `CAND179` Sam & Cat, `CAND180` Sara, `CAND181` See Dad Run, `CAND184` Someone Like Me, `CAND185` Son of Zorn, `CAND186` Space Force, `CAND187` St. Denis Medical, `CAND189` That '80s Show, `CAND190` That's So Raven, `CAND191` The Art of Being Nick, `CAND192` The Bad News Bears, `CAND194` The Charmings, `CAND195` The Cool Kids, `CAND196` The Geena Davis Show, `CAND197` The Goodwin Games, `CAND198` The Grinder, `CAND199` The Hogan Family, `CAND200` The Knights of Prosperity, `CAND201` The Loop, `CAND202` The Michael J. Fox Show, `CAND203` The Mick, `CAND204` The Norm Show, `CAND205` The Real O'Neals, `CAND206` The Single Guy, `CAND207` The Slap Maxwell Story, `CAND208` The Trouble with Larry, `CAND210` Twins, `CAND211` United States of Al, `CAND212` Up All Night, `CAND213` Whitney, `CAND214` Wizards of Waverly Place, `CAND215` Workaholics, `CAND216` Working, `CAND217` Young & Hungry, `CAND218` Young Rock, `CAND220` About a Boy, `CAND221` Accidentally on Purpose, `CAND222` Aliens in America, `CAND223` All Is Forgiven, `CAND224` Andy Richter Controls the Universe, `CAND225` Anger Management, `CAND226` Benched, `CAND227` Bent, `CAND228` Brother's Keeper, `CAND229` Clueless, `CAND230` Coop & Cami Ask the World, `CAND231` Coupling (U.S.), `CAND232` Crowded, `CAND233` Cursed / The Weber Show, `CAND234` Double Rush, `CAND235` Dr. Ken, `CAND236` Dweebs, `CAND237` Free Agents, `CAND238` Go On, `CAND239` Hardball, `CAND240` Hope & Gloria, `CAND241` Imaginary Mary, `CAND242` Indebted, `CAND243` Instant Mom, `CAND244` It's a Living, `CAND245` Jesse, `CAND246` Life's Work, `CAND247` Man with a Plan, `CAND248` Maybe This Time, `CAND249` My Mother the Car, `CAND250` Ned & Stacey, `CAND251` Off Centre, `CAND252` Oliver Beene, `CAND253` Perfect Couples, `CAND254` Perfect Harmony, `CAND255` Retired at 35, `CAND256` Rodney, `CAND257` So Little Time, `CAND258` Something So Right, `CAND259` Sons of Tucson, `CAND260` Soul Man, `CAND261` Stark Raving Mad, `CAND262` The Class, `CAND263` The Unicorn, `CAND264` Trophy Wife, `CAND265` Unfabulous, `CAND266` Working Stiffs, `CAND267` Worst Week, `CAND268` North Hollywood. A title match is a prompt, not a verdict.

**Title collisions adjudicated** — somebody looked, and these are two kingdoms
sharing one name rather than one kingdom entered twice: `CAND035` One Day at a Time (1975), `CAND039` The Odd Couple (1970), `CAND088` One Day at a Time (2017). Recorded rather than left warning, for the same reason `Identity Status`
exists: a flag nobody can clear is the pressure that eventually merges them.

### Shows with no creator, by how many performer credits hang off them — 14 shows, 50 credits

L2 is closed when this list is empty. A show marked ✱ also has no production
company, so nothing at all attaches it to the creative genealogy.

- `S286` 9 to 5 (1982) ✱ — 5 credits
- `S274` Delta House (1979) ✱ — 5 credits
- `S284` Condo (1983) ✱ — 4 credits
- `S271` Flo (1980) ✱ — 4 credits
- `S210` Harry and the Hendersons (1991) ✱ — 4 credits
- `S272` Tabitha (1977) ✱ — 4 credits
- `S276` The Brady Brides (1981) ✱ — 4 credits
- `S283` Amanda's (1983) ✱ — 3 credits
- `S275` Checking In (1981) ✱ — 3 credits
- `S280` Herbie, the Love Bug (1982) ✱ — 3 credits
- `S279` Sanford Arms (1977) ✱ — 3 credits
- `S277` Three's a Crowd (1984) ✱ — 3 credits
- `S220` Uncle Buck (1990) ✱ — 3 credits
- `S278` The New Odd Couple (1982) ✱ — 2 credits

### Denominators, by how many credits each unblocks — 66 shows, 341 credits

One sourced number per row. No editorial judgement, and nothing in G₂ can be
read until they are in.

- `S293` The Goldbergs (2013) — 22 credits waiting
- `S290` Suburgatory (2011) — 13 credits waiting
- `S212` Major Dad (1989) — 10 credits waiting
- `S198` Herman's Head (1991) — 9 credits waiting
- `S213` Dave's World (1993) — 8 credits waiting
- `S296` Ghosts (US) (2021) — 8 credits waiting
- `S297` Grounded for Life (2001) — 8 credits waiting
- `S243` The Middle (2009) — 7 credits waiting
- `S300` All of Us (2003) — 6 credits waiting
- `S268` In Living Color (1990) — 6 credits waiting
- `S310` Party Down (2009) — 6 credits waiting
- `S196` Small Wonder (1985) — 6 credits waiting
- `S292` Speechless (2016) — 6 credits waiting
- `S294` The Conners (2018) — 6 credits waiting
- `S298` The Game (2006) — 6 credits waiting
- `S199` The Jeff Foxworthy Show (1995) — 6 credits waiting
- `S311` The League (2009) — 6 credits waiting
- `S219` Unhappily Ever After (1995) — 6 credits waiting
- `S242` Yes, Dear (2000) — 6 credits waiting
- `S286` 9 to 5 (1982) — 5 credits waiting
- `S291` American Housewife (2016) — 5 credits waiting
- `S289` Better Off Ted (2009) — 5 credits waiting
- `S444` Bob’s Burgers (2011) — 5 credits waiting
- `S274` Delta House (1979) — 5 credits waiting
- `S301` Eve (2003) — 5 credits waiting
- `S270` Fish (1977) — 5 credits waiting
- `S264` Girlfriends (2000) — 5 credits waiting
- `S302` Half & Half (2002) — 5 credits waiting
- `S248` Malibu Country (2012) — 5 credits waiting
- `S299` One on One (2001) — 5 credits waiting
- `S201` Out of This World (1987) — 5 credits waiting
- `S288` Samantha Who? (2007) — 5 credits waiting
- `S236` The Bernie Mac Show (2001) — 5 credits waiting
- `S238` The George Lopez Show (2002) — 5 credits waiting
- `S303` The Parkers (1999) — 5 credits waiting
- `S217` All-American Girl (1994) — 4 credits waiting
- `S273` Blansky's Beauties (1977) — 4 credits waiting
- `S284` Condo (1983) — 4 credits waiting
- `S271` Flo (1980) — 4 credits waiting
- `S207` Get a Life (1990) — 4 credits waiting
- …and 26 more shows holding 90 credits

## Rank across the four models

A finding is worth as much as the number of models it survives. Coverage is the
share of the person's credits carrying a sourced episode count. G₁ and G₂ see
only quantified evidence, so a low coverage figure means most of that person's
career is simply absent from those two columns.

> **G₁ and G₂ are PROVISIONAL.** Corpus quantification stands at 979/2734
> performer credits (35.8%), below the 50% gate.
> These models see only quantified evidence, so at this coverage their graphs are
> shattered into fragments and almost every score is zero. That is the gate working:
> a shattered graph reports no ranking rather than a confident wrong one. Read the
> coverage column before reading the rank.

| Person | G0 | G1 | G2 | G3 | swing | coverage |
|---|---:|---:|---:|---:|---:|---:|
| Betty White | #2 | #1 | #1 | #4 | 3 | 8/10 |
| Cloris Leachman | #8 | #4 | #4 | #1 | 7 | 6/7 |
| Blake Clark | #1 | #19 | #62 | #275 | 274 | 14/14 |
| Ted Danson | #25 | #2 | #2 | #6 | 23 | 5/6 |
| Patricia Heaton | #67 | #1423 | #1423 | #2 | 1421 | 1/6 |
| Martin Mull | #23 | #3 | #5 | #28 | 25 | 5/6 |
| Julia Louis-Dreyfus | #19 | #25 | #30 | #3 | 27 | 4/6 |
| Wendie Malick | #58 | #8 | #3 | #102 | 99 | 5/8 |
| Richard Riehle | #3 | #521 | #519 | #735 | 732 | 0/6 |
| Hank Azaria | #4 | #31 | #23 | #19 | 27 | 5/7 |
| Jane Leeves | #37 | #5 | #14 | #31 | 32 | 5/5 |
| Andy Dick | #5 | #49 | #47 | #12 | 44 | 4/5 |
| Judd Hirsch | #17 | #121 | #112 | #5 | 116 | 2/6 |
| Nancy Travis | #87 | #6 | #7 | #18 | 81 | 4/4 |
| Joel Murray | #91 | #10 | #6 | #36 | 85 | 4/5 |
| Scott Baio | #6 | #1726 | #1726 | #13 | 1720 | 0/6 |
| Joey Lawrence | #81 | #18 | #13 | #7 | 74 | 4/4 |
| Christa Miller | #159 | #7 | #9 | #122 | 152 | 5/5 |
| Wendi McLendon-Covey | #7 | #1331 | #1332 | #35 | 1325 | 1/6 |
| John Ritter | #26 | #9 | #8 | #9 | 18 | 3/4 |
| Elinor Donahue | #16 | #1670 | #1670 | #8 | 1662 | 1/3 |

**Survives every interpretable model (G0, G3), top five throughout:** Betty White.

## Ablations — does the finding survive without a whole family of edge?

- **G0c** — Does this finding survive without the Special Connections we assigned by hand?
- **G0p** — Does this finding survive without the studio and showrunner hubs?

A large move means the name was being carried by the edges that were removed.
A small move is the stronger result.

| Person | G0 | G0c | G0p | largest shift |
|---|---:|---:|---:|---:|
| Blake Clark | #1 | #1 | #1 | 0 |
| Betty White | #2 | #3 | #2 | 1 |
| Richard Riehle | #3 | #20 | #9 | 17 |
| Hank Azaria | #4 | #14 | #20 | 16 |
| Andy Dick | #5 | #16 | #10 | 11 |
| Scott Baio | #6 | #36 | #36 | 30 |
| Wendi McLendon-Covey | #7 | #19 | #21 | 14 |
| Cloris Leachman | #8 | #10 | #7 | 2 |
| Seth Green | #9 | #7 | #8 | 2 |
| Chris Elliott | #10 | #99 | #88 | 89 |
| Allan Melvin | #11 | #471 | #433 | 460 |
| Christina Applegate | #12 | #37 | #26 | 25 |

## Edge families

- Performer Credit — 2734
- Creative Credit — 1178
- Production Credit — 829
- Special Connection — 136