Professor Lionel Strick

Montréal School for Radical Aesthetics

Department of Queer Communist Aesthetic Theory

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Television isn’t asking queer people to be free—it’s asking them to be marketable.

Professor Mireille Draxler

Université Nouvelle de Marseille

Communist Feminist Televisual Studies

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Capitalism loves a strong female lead — she keeps the audience obedient and the market safe.

Dr. Octavio Mendieta

Autonomous University of Chiapas

Decolonial Theory & Latin American Marxism

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Imperial power always hides in the character who calls himself ‘relatable.’ and Every American protagonist is trained to believe the world is theirs to inherit — this is pure imperial pedagogy.

Nazeera al-Shamsi

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Professor Gideon Blatch

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Dr. Ilsa Vey

Lund Institute for Radical Psychodynamics (Sweden)

Trauma Technics & Affective Infrastructure

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Television does not show us our wounds — it rehearses them until they turn profitable.

Professor Marquis Redd

Institute for Racialized Media Economies, Detroit Free People’s College (unaccredited by design)

Black Labor Aesthetics & Media Capture

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Capital does not depict Black labor — it chews it up and feeds it to its young.

Dr. Amrita Rangan

Bangalore Institute for Post-Capitalist Design

Techno-Marxist Narrative Systems

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When machines predict what stories we want, they are really predicting what capitalism needs us to believe.

Dr. Simone Agoniste

University of the Antilles (Decolonial Media Department, temporarily defunded)

Afro-Caribbean Feminist Media / Disruption & Sonic Memory Studies

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Empire demands harmony; the diaspora answers with echo.

Dr. Caspian Thorne

Institute for Televisual Dialectics (Berlin)

Affective-Structural Critique

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Prestige television fabricates scarcity, then calls the result ‘emotion.’